Saturday, June 30, 2018

A New History of the Second World War | The New Yorker

A New History of the Second World War | The New Yorker

A New History of the Second World War

Victor Davis Hanson's "The Second World Wars" is not a chronological retelling of the conflict but a high-altitude, statistics-saturated overview of the dynamics and constraints that shaped it.

Photograph by FPG / Hulton Archive / Getty

In 1936, Charles Lindbergh arrived in Berlin to inspect the Luftwaffe. The visit had been arranged by Truman Smith, an ingenious intelligence officer who knew that Herman Göring, the Nazi air marshal, would find the American aviator's celebrity irresistible; Lindbergh flew to Berlin with his wife, Anne, as his co-pilot, and then, along with Smith and another officer, spent a few days meeting German pilots, inspecting operations, and even flying several German planes. (The group also had dinner at Göring's house, where they met his pet lion cub, Augie.) Lindbergh was impressed by what he saw; Göring so enjoyed impressing him that Smith was able to arrange four more visits over the next few years. Drawing on them, Lindbergh sent a dire warning to General Henry (Hap) Arnold, the commander of the U.S. Air Force, in 1938. "Germany is undoubtedly the most powerful nation in the world in military aviation," he wrote, "and her margin of leadership is increasing with each month that passes."

Lindbergh was right to sound the alarm about a German military buildup. But he was wrong about the strength of the the Luftwaffe, which was not as good as he—or the Nazis—believed it to be. It was true that the Germans had more planes than anyone else. But, as the historian Victor Davis Hanson explains, in "The Second World Wars: How the First Global Conflict Was Fought and Won," the Luftwaffe had a number of weaknesses, some very fundamental. A lack of four-engine bombers, for example, made it hard for Germany to conduct truly devastating long-range strategic-bombing campaigns against enemies overseas. (The Nazis never succeeded in mass-producing an equivalent to America's B-17 Flying Fortress, which was in the air before the war.) The German Navy had no aircraft carriers, which made air supremacy during naval battles impossible. (In total, the Axis fielded only sixteen carriers; the Allies, a hundred and fifty-five.) Germany had limited access to oil, and thus to aviation fuel, and this constrained the number of missions the Luftwaffe could fly. Unlike the Allies, who excelled at building tidy, concrete runways from scratch as the front shifted, the Germans relied on whatever slapdash rural runways they could find, resulting in more wear and tear on their planes.

The Nazis were slower than the Allies to replace downed aircraft (they had less experience with high-volume manufacturing); they were also slower to replace fallen pilots (their aircraft were harder to operate). Over time, this lower replacement rate eroded, then reversed, their initial numbers advantage. They also lagged behind in various other areas of aviation technology: "navigation aids, drop tanks, self-sealing tanks, chaff, air-to-surface radar." Some of these factors emerged only during the war. But others were clear beforehand, and analysts could have noticed them. In truth, Hanson writes, Lindbergh and many others were "hypnotized by Nazi braggadocio and pageantry." The Nazis were apparently hypnotized, too. As a land-based power with a small navy, they needed the Luftwaffe to perform miracles (for instance, bombing Britain into submission). They did not see the Luftwaffe realistically; they deluded themselves into believing it could do the impossible.

"The Second World Wars" takes an unusual approach to its subject. The book is not a chronological retelling of the conflict but a high-altitude, statistics-saturated overview of the dynamics and constraints that shaped it. Hanson is unusual, too: he is a classicist and a specialist in military history at Stanford's Hoover Institution, where he edits Strategika, "an online journal that analyzes ongoing issues of national security in light of conflicts of the past"; he's also an almond farmer and a conservative polemicist whose articles on race, immigration, and the decline of agrarian values appear regularly on National Review's Web site and other places. I've long found his political commentary tiresome—but his deeply researched and detailed military analyses are fascinating. "The Second World Wars" confines itself to the latter subject, with spectacular results. Hanson starts with the idea that the Axis powers were more or less destined to lose, then works backward to understand the reasons for their defeat. The book revolves around a question highly relevant to our own brewing confrontation with North Korea: Why, and how, do weaker nations convince themselves, against all evidence to the contrary, that they are capable of defeating stronger ones?

Hanson begins by putting the Second World War in a "classical context." Although it was a high-tech conflict with newly lethal weapons, he writes, it still followed patterns established over millennia: "British, American, Italian, and German soldiers often found themselves fortifying or destroying the Mediterranean stonework of the Romans, Byzantines, Franks, Venetians, and Ottomans." In many instances, military planners on both sides ignored the lessons of the past. Some lessons were local: it's always been hard to "campaign northward up the narrow backbone of the Italian peninsula," for example, which is exactly what the Allies struggled to do. Others were universal. Small countries have difficulty defeating big ones, because—obviously—bigger countries have more people and resources at their disposal; Germany, Italy, and Japan, therefore, should have been more concerned about their relatively small size compared to their foes. History shows that the only way to win a total war is to occupy your enemy's capital with infantrymen, with whom you can force regime change. Hitler should have paused to ask how, with such a weak navy, he planned to cross the oceans and sack London and, later,Washington. At a fundamental level, it was a mistake for him to attack countries whose capitals he had no way to reach.

In terms of management and logistics, the Axis powers were similarly, and sometimes quite conspicuously, disadvantaged. Before the war, the United States produced a little more than half of the world's oil; Axis leaders should have known this would be a decisive factor in a mechanized conflict involving tanks, planes, and other vehicles. (The Nazis may have underestimated the importance of fuel because—even though they planned to quickly conquer vast amounts of territory through blitzkrieg—many of their supply lines remained dependent upon horses for the duration of the war.) In general, Allied management was more flexible—British planners quickly figured out the best way to place radar installations, for example—while the Axis powers, with their more hierarchical cultures, tended toward rigidity. Axis leaders believed that Fascism could make up the difference by producing more fanatical soldiers with more "élan." For a brief time at the beginning of the war, Allied countries believed this, too. (There was widespread fear, especially, of Japanese soldiers.) They soon realized that defending one's homeland against invaders turns pretty much everyone into a fanatic.

In any event, Hanson shows that the Second World War hinged to an unprecedented extent upon artillery ("At least half of the combat dead of World War II probably fell to artillery or mortar fire"): the Allies had bigger, faster factories and could produce more guns and shells. "The most significant statistic of the war is the ten-to-one advantage in aggregate artillery production (in total over a million large guns) enjoyed by the British Empire, the Soviet Union, and the United States over the three Axis powers." Russia, meanwhile, excelled at manufacturing cheap, easily serviceable, and quickly manufactured tanks, which, by the end of the war, were better than the tanks the Nazis fielded. Many Allied factories remained beyond the reach of Axis forces. There were a few possible turning points in the war: had Hitler chosen not to invade Russia, or not to declare war on the United States, he might have kept his Continental gains. Similarly, Japan might have contented itself with a few local conquests. But temperance and Fascism do not mix, and the outsized ambitions of the Axis powers put them on a collision course with the massive geographical, managerial, and logistical advantages possessed by the Allies, which, Hanson suggests, they should have known would be insurmountable.

The Axis powers fell prey to their own mythmaking: they were adept at creating narratives that made exceedingly unlikely victories seem not just plausible but inevitable. When the Allies perceived just how far Fascist fantasy diverged from reality, they concluded that Axis leaders had brainwashed their citizens and themselves. They began to realize that "the destruction of populist ideologies, especially those fueled by claims of racial superiority," would prove "a task far more arduous than the defeat of a sovereign people's military":

Sober Germans, Italians, and Japanese, in the Allied way of thinking, had to be freed from their own hypnotic adherence to evil, even if by suffering along with their soldiers. . . . Death was commonplace in World War II because fascist zealotry and the overwhelming force required to extinguish it would logically lead to Allied self-justifications of violence and collective punishment of civilians unthinkable in World War I.

Hanson explores the specific decision-making processes behind the most merciless Allied decisions—"the firebombing of the major German and Japanese cities, the dropping of two atomic bombs, the Allied-sanctioned ethnic cleansing of millions of German-speaking civilians from Eastern Europe, the absolute end of the idea of Prussia"—while, from a higher altitude, pointing out that the delusional ideological fervor that shaped the beginning of the war shaped its end, too.

Could the Axis and Allied countries have performed a searching, clear-eyed inventory of their respective strengths and weaknesses and decided beforehand that there was no point in having a world war? Could the Allies have done this on their own and decided to check Hitler's aggression earlier? One of the tragic elements of war, in Hanson's view, is that it often uncovers a reality that might have been comprehended in advance and by other means. Unfortunately, in the years before the Second World War, confusion reigned. The Axis countries lived in a fantasy world—they believed their own propaganda, which argued that, for reasons of race and ideology, they were unbeatable. The Allies, meanwhile, underestimated their own economic might in the wake of the Great Depression. They allowed themselves to be intimidated by Fascist rhetoric; justifiably horrified by the First World War, they wanted to give pacifism a chance, and so refrained from the flag-waving displays of aggression that might have revealed their true strength, while hoping, despite his proclamations to the contrary, that Hitler might be satisfied with smaller, regional conquests. "Most wars since antiquity can be defined as the result of such flawed prewar assessments of relative military and economic strength as well as strategic objectives," Hanson writes. "Prewar Nazi Germany had no accurate idea of how powerful were Great Britain, the United States, and the Soviet Union; and the latter had no inkling of the full scope of Hitler's military ambitions. It took a world war to educate them all."

In a general way, Hanson's ideas are reminiscent of the thought of the Austrian economist Friedrich Hayek, who saw the market as a kind of information-producing machine. Buying and selling, Hayek wrote, were a "procedure for discovering facts which, if the procedure did not exist, would remain unknown or at least would not be used." In National Review Online, Hanson writes that "war is a horrific laboratory experiment that confirms or rejects vague and inexact prewar guesses about relative strength or weakness." Seeing war as a tragically destructive form of information discovery makes Hanson think differently about peace. The problem with peace is that it obscures the realities of relative military strength; it's especially important, therefore, for countries to flex their muscles during peacetime. In the present, Hanson favors an aggressive response to North Korea, in large part because it might clear up mutual ignorance about everyone's capabilities and intentions.

Sadly, a detailed examination of exactly when and how deterrence averts conflict is beyond the scope of "The Second World Wars." Instead, with an extraordinary array of facts and statistics, the book offers an account of the fatalism of war. Until it begins, war is a matter of choice. After that, it's shaped by forces and realities which dwarf the individuals who participate.

Joshua Rothman is The New Yorker's archive editor. He is also a frequent contributor to newyorker.com, where he writes about books and ideas.



_- Steve

Supreme Court labor laws

https://slate.com/news-and-politics/2018/06/the-lochner-era-is-set-for-a-comeback-at-the-supreme-court.html


_- Steve

Thursday, June 28, 2018

How did Homo sapiens evolve?



_- Steve

The Best Books of Immersive Nonfiction | Will Storr on Five Books

The Best Books of Immersive Nonfiction | Will Storr on Five Books

The Best Books of Immersive Nonfiction | Will Storr on Five Books

You've chosen to talk to us about 'immersive nonfiction.' How to describe that? Nonfiction, written by writers who put a focus on experiencing what they are writing about?

For me, it's that feeling of just opening your front door, stepping out into the world and thinking, right: I've got a question here that I care about, I'm going to find out what the answer is, and I'm going to take you – the reader – on that journey.

For work I have to read a lot of science books, and I often find them quite dreary to read. They feel too much like homework to me. Everyone tells me that I must read [Yuval Noah Harari's] Sapiens and I haven't, mostly because it feels like school, and I hated school. Instead I love narrative nonfiction where people are kind of out there in the world – and of course that's very much what I try to do in my own work. That said, I think Selfie, my latest book, is the least adventurous kind of book that I've done. But it still took me some interesting places.

Your earlier book The Hereticspublished in the US as The Unpersuadables, brought you to meet some fascinatingly perverse fringe characters – creationists, Holocaust deniers, and others whose beliefs are demonstrably false.

The Heretics was about the psychology of belief. It begins with me in the 'deep north' of Australia, which is a bit like the deep south of Mississippi, with a bunch of creationists who believe the world is six thousand years old. It's six thousand, I believe, because you add up all the ages of the people in the Bible, and it comes to six thousand.

I turned up there expecting the story to be simply, 'This guy's an idiot.' It was going to be a funny, knockabout piece with someone silly. But actually this guy was really not idiotic. He was smart. And that lead me to want to answer the question, how is it that otherwise clever people end up believing crazy things? The usual sceptical take is, oh, they're just stupid. But I don't think that's good enough. I wanted to answer the more interesting question. Finding out why people believe crazy things meant finding out why anybody believes anything. So it became a psychological investigation.

Maybe we should have a look at the first book on your list, Bad Wisdom (1996) by Bill Drummond and Mark Manning. Earlier, you said that this is the book that made you want to be a nonfiction writer in the first place.

I picked up Bad Wisdom because, as a teenager, I was a fan of the band Zodiac Mindwarp and the Love Reaction – a cartoon rock band who were just hilarious. And I found out that this guy wrote this book with Bill Drummond of the KLF, a very different kind of band. So I just bought this book because I was a fan of theirs. And it blew my mind.

I went through the whole school system, at a very bad comprehensive, and just hadn't fallen in love with reading at all. I found it all so boring, my teachers were uninspiring and the books we were given to study, by people like Samuel Butler, were dreary and alienating. This was the first time I'd had the experience of reading a book that felt like it was for me. The first line in it is: "I am shit scared. Shit scared of almost everything."

Then they go on this insane journey. They hired a Ford Escort with the intention of driving to the North Pole, to leave an icon of Elvis Presley at the North Pole, in order to save the planet. That was their mission. The book's got a really interesting structure. They go through the journey chronologically, as you'd expect, but Bill takes a paragraph, then Manning takes a paragraph. It alternates. So you get Bill Drummond's very maudlin Scottish Presbyterian worldview – that first line is his– then you get Mark Manning, who goes in a completely opposite direction. Drummond reminds me a little of Knausgaard. He's such a thoughtful, interesting individual. A lot of detail, very much focussed on the beauty of the everyday. But with Manning, it's just this wild, psychedelic stuff.

Get the weekly Five Books newsletter

There's this idea running through the book of Elvis being kind of a replacement God; that religion might be diminishing as a cultural force, but we still have this deep need for these gods to follow. So, Bad Wisdom is a really interesting journey that works on lots of different levels. It's funny, it's very thoughtful, it's chaotic. It's like Three Men in a Boat, but with psychopaths. It's quite shocking as well. It's really violent, and really, really offensive. I'm sure that Penguin wouldn't publish it these days. But it really is an extraordinary thing, and I'm glad it exists.

When I got my first job as a writer, I thought I would mark it by marking my skin, because Mark Manning has this huge crucifix tattooed on his chest, a massive thing. And I've got kind of a replica on my shoulder. So it was a very powerful book for me. You can definitely still see the influence of Bad Wisdom in my writing.

The next book on your list is Jack London's The People of the Abyss, a first-hand account of the extreme poverty in the east end of London at the turn of the 20th century. London posed as a penniless American sailor stranded in England during his research. Isn't Jack London an incredibly romantic figure? He seems to have lived the lives of 50 men.

It is a really extraordinary book. It precedes George Orwell's Down and Out in Paris and London by decades. It's 1902, and he treats the east end of London as if it is, in his antiquated phrase, the 'darkest Africa.' As if it's this exotic and dangerous realm that he's adventuring into.

There's this great comic bit at the beginning where he goes into Cook's, a map shop in Covent Garden which was the place where all the adventurers would go before embarking on these great international voyages and he says: 'I'm going to take this journey into the east end of London.' They pale and say: 'We can't help you with that, sir. We've got no maps of that place.' It really was a 'here be monsters' situation, and it was only an hour away on foot.It's fantastic to read. London's got such a mastery of language. It's slightly purple, kind of overwritten, but I guess it suits the subject matter, the way he paints these gothic pictures. There's an extraordinary anger to it as well. When I first got into writing, everyone talked about the idea of 'the new journalism' – people like Gay Talese, Hunter S Thompson, Tom Wolfe, and the rest, as being the originators of the form. But it's just not true. The People of the Abyss is a much, much earlier example of the kind of writing that would sit very happily in that genre.

One of the most shocking aspects is the time it was written. This was the British Empire at its height and yet, in the back garden, the east end had the most shocking conditions Jack London had ever seen in his life. This is a man who has spent time in prison, has been a vagrant… he was not someone who was easily shocked.

Yes, it is shocking, the things that he sees, and the sense of danger that leaps from the page as you're reading it. I haven't been down to the east end since without thinking of The People of the Abyss. It's one of those books that once you've read it, it doesn't leave you.

There's also a very interesting chapter where he goes with others out to Kent to do hop picking. There's all this promise of work, but he ends up somewhere around Maidstone – which is a dreary, built-up area these days, but it wasn't then – and there's been a great hailstorm, which has damaged all the hops. So you've literally got these hundreds of people just sleeping in the roads, fighting over scraps of work. Like something from The Grapes of Wrath, but in Maidstone. It's  extraordinary.

Earlier, you said it was as if he was travelling to 'darkest Africa.' Perhaps we might jump to Ryszard Kapuściński's The Shadow of the Sun (2001). A memoir of the author's thirty years in Africa as a correspondent for a Polish press agency. He found himself in some rather dark situations.

Once you discover Kapuściński, it's a love affair for life. He's such a beautiful writer. What I take from Kapuściński is that he made a genuinely sincere attempt at discovering the truth of a place, or of a subject matter, or of a person. With lots of authors or journalists who go on these real life adventures, you get a sense that they've got a strong idea of what they want to get and the 'journey' is simply them going out and getting it. It's not a sincere attempt at finding the truth, even with some of the very big name nonfiction writers. Whereas because Kapuściński is a writer with a genuine interest in finding out the truth, he often upends your preconceptions, which I think is what the greats often do.

I've always tried very hard to do this in my work, up to and including going on holiday with neo-Nazis, getting to know them in an empathetic way, trying to understand the reasons behind their Holocaust denial. I think the temptation of being any kind of storyteller, but especially a storyteller who deals in nonfiction, is to stick with a straightforward, crowd pleasing narrative of heroes and villains. If you write that narrative, it works. Telling people what they want to hear is a good way of getting famous and selling tens of thousands of books. It's much harder to not write that book, in my view. You risk not doing so well in your career, and you risk upsetting people – which is not something to be done lightly these days, when it can often feel as if everyone is viewing the world through a dangerous and simplistic heroes-and-villains mindset. The notion that we should try and understand people like neo-Nazis is sometimes seen as suspect. I find this position reductive, thuggish and poisonous. What is writing for, if not to try to understand the human condition a little better? How will we solve anything, in the world of people, if all we can do is point, sneer and ostracise?

"How will we solve anything, in the world of people, if all we can do is point, sneer and ostracise?"

I think my favourite moment in The Shadow of the Sun is when Kapuściński writes about how he keeps getting robbed in Lagos. Every time he leaves his house, he comes back to find it's been ransacked. Obviously, he's furious about this. Finally, he makes friends with an influential figure from the slum he's living in. He sits down with him and says, 'What am I going to do? I'm furious, they keep robbing from me.' The other man says, 'No, no, you should be happy that you're being robbed from. At the moment, you're useful to the people around you. You should see it as a form of acceptance. You're being a valuable member of this community. When you stop being robbed – that's when you should be scared.'

I've worked in Africa, and I've had droplets of what Kapuściński experienced. And some of the things that he says have a real ring of truth to them. He said once that when you're in a place that has the potential to kick off, it's when things go silent – those are the dangerous moments. It's not when there are bombs and bullets, and shouting, and running around. It's observations like that I find unforgettable.

Do you think that to write an extraordinary book like this it's necessary to be an extraordinary person? Do you need to be the man who has "driv[en] along a road where they say no white man can come back alive," as Kapuściński claimed to do? Jack London and Ryszard Kapuściński are both enormous characters. Maybe you do need heroes for a good narrative – it's just that they are filling the role themselves.

I don't think so. I suppose it takes a certain amount of courage. But not necessarily. Anna Funder, the author of Stasiland, didn't risk her life and yet she produced an extraordinary, beautiful, and important piece of work in Stasiland. So I don't think you need to necessarily go out and risk everything. I suppose you've got to have a level of curiosity about the world that overwhelms any fears you might have. I think 'extraordinary individual' is probably wrong. But I think you've got to have a kind of naïve courage.

Then let's talk about Anna Funder and Stasiland (2003). Funder is very much an outsider, in as much as she comes from Australia, but writes this in-depth, immersive narrative about those who have worked for the Stasi, and tried to rebel. She met them after placing an advert in a newspaper. What is it about this book that marks it out from other books on the topic?

When Anna Funder's book came out there hadn't been that much written about the Stasi. When it did I felt this massive professional envy, that there was this incredible story – and often they are, these incredible stories – hiding in plain sight. It just takes somebody smart enough, like Funder clearly was, to see it and get out there and do the work. At the beginning of the book, she's working as a researcher at a TV company in Berlin, and she's always saying: 'We should do some stuff on the Stasi.' And they say, 'No one's interested in the Stasi.' I think there's always the temptation, when you look at stories from recent history, because it's recent history, you think it's boring or irrelevant – it somehow doesn't count as 'history' yet.

What definitely informed a lot of my work after reading Stasiland was her evenhanded approach to the subject. I was brought up with this straightforward story that said the capitalists are the good guys; the Communists are the bad guys. There's a lot of truth to that, of course – look at the hundred million people killed under Communism. But then there's a sequence in Stasiland where she comes across these people, I think they're homeless, and they're drunk. She talks to them. They start saying: 'We wish it had never happened. We wish the wall was still up and Communism was still here.' She's asks: 'Why?' They say, 'There weren't any homeless people under Communism. Everybody had a job, everybody had a home.'

"The story that you've been brought up with is only part of the truth"

It's that amazing moment of: wow, there's another side to this story. Those are the bits in narrative nonfiction that I really adore. And of course Communism was in most ways a terrible thing. But they weren't bad guys in that cartoon, two-dimensional, rubbing their hands together with evil delight on their faces way that we're too often told about. They had a dream for the world that was amazing: we're going to get rid of inequality! We're going to get rid of unfair hierarchy! Everyone is going to work together and be the same, and earn the same, and everyone is going to have a place to live, everyone is going to have a job, everyone is going to have a great school to go to!

It was a disaster, taking many more innocent lives than the Nazis did, but we're so used to being brought up with these bloody cartoon characters that it's a shock when you hear the truth.  This is what nonfiction writing should be. It should be having the courage to give perspectives that make us uncomfortable and tell us, actually, the story that you've been brought up with is only part of the truth.

Can you tell me about some of the people she meets?

One of my favourites was Hagen Koch, who actually mapped out the Berlin Wall. She tells the story of how he, an incredibly loyal member of the German Communist regime, started to rebel against them when they start meddling with his marriage.

The stories of people having big reversals of belief were fascinating. But also, his defence of the war – he said it was a good thing, because 'we were a nation under attack.' You see that narrative repeated in Israel. I'm sure lots of Trumps supporters would see that idea: we're a country under attack from Mexico. I'm not making any comment about the right or wrongness of those arguments. It's just interesting to see those same arguments cropping up again, and again, and again.

What Stasiland does really well is it shows that these aren't just arguments. That these people believed these views to the roots of their souls. They absolutely believed that this was the right thing to do, that they were a nation under attack, that they had to protect themselves. I think that really informed The Heretics. The thesis that emerged in The Heretics was that we live our lives very much as stories. The human brain is a storyteller. We are the heroes of our own story. We like to think we're morally good characters, and we like to think that everything that we believe is true. So we rearrange the 'facts' of the world in such a way that flatters our sense of personal heroism. I do that, you do that, that's how the brain works, if you're mentally healthy. So we're all prejudiced, and we're all biased, we're all partial and partisan, and we find it very, very hard to truly understand the stories of the people on the other side of the window.

I think Anna Funder understands this very well and I'd love to see more of her kind of work in journalism generally. We don't get enough, especially in our current moral outrage phase, when major news organisations are reliant on the generation of moral outrage to pay their bills. To me, it's corrupted the form in a really unpleasant way. The economics of journalism these days means that writers have to hit those outrage buttons, because outrage means clicks and clicks mean keeping your job.

Absolutely. I think a lot of these stories are based on the writer purposefully, wilfully, refusing to see what has driven another person to behave in a certain way. Maybe that brings us to Jon Ronson. In Them: Adventures With Extremists (2001), he invested a great deal of time hanging out with people who many would describe as delusional. I suppose he's also trying to find out what drives them. Is that what attracted you to this book?

The first Jon Ronson piece I ever read was the Guardian Weekend's excerpt of Them, which was his story about the Bilderberg Group, a shadowy organisation that some people think rules the world. There's a very comic scene in which there's this guy called Big Jim Tucker, who's made it his life mission to expose the Bilderberg group. Jon Ronson thinks this guy is a nutter and, reading it, I assumed the Bilderberg group was just some mad conspiratorial fantasy. They go to Portugal together, to this luxury hotel where Tucker thinks they're meeting, and it suddenly emerges that there is indeed a high level secret meeting happening the next day. They're ordered to leave and, as they drive away, Ronson realises they're being followed. He rings up the British Embassy, he says: 'I'm a humorous journalist out of my depth!' It turned out the Bilderberg group were real. It was the most hilarious piece of journalism that I'd come across and it was gripping too. I'd only been a writer, professionally, for perhaps a year and I remember feeling this enormous sense of professional horror: how the hell did he do this?

One Jon Ronson piece that has really wedged itself in my own memory is his article about a foiled school shooting plot in North Pole, Alaska, a Christmas theme town where everyone poses as elves, replying to letters addressed to Santa. The whole set up was so unnerving and weird, like an episode of Twin Peaks.

It's interesting that he never saw eye to eye with AA Gill, I don't think, who is another big hero of mine. Ronson is almost like the yin to AA Gill's yang. Gill was a beautiful prose stylist, he was an absolute poet, there was no one to touch him. But he couldn't tell a story. He didn't have to, because the quality of his prose and his skill at detail and thoughtful observation were such that you were just carried through to the end. Whereas Ronson is the opposite. I can't think of a writer who uses more simplistic prose and yet he's got what Gill never had, which is this absolute genius for storytelling. He has this magic thing, where he can write a paragraph and you're in the story. You just inhale it. I've been lucky enough to have met Jon once or twice. I interviewed him when The Men Who Stare at Goats came out, and I asked him to give me some advice as a then young writer. He said: "Brevity." I thought, "Oh, that's quite disappointing advice."' It took me a few years to realise he was right. Not only was it good advice, but it was exactly the advice I needed. It's also the advice I still haven't managed to absorb – I'm always getting sidetracked in my writing.

Are you ever in danger, as a writer making efforts to understand someone with fringe views, that you become convinced yourself? Have you ever been brought around to the views of anyone you've interviewed?

There have been lots of times where I've been left thinking, 'Oh, I was wrong about that, totally.' My most recent story was about the science behind Shaken Baby Syndrome. I pitched and perceived it was a piece about how the scientists who are sceptical of SBS diagnoses were being unfairly persecuted, and the police and prosecution were acting in bad faith, locking away all these innocent parents. But I changed my mind about much of that. Clearly innocent parents have been through hell, but the arguments put to me by the proponents of SBS were also extremely compelling. It's only in doing the reporting that I realise why both sides are in possession of a chunk of the truth, which is why the whole area is in the mess that it's in.

But I think the biggest journey, actually, was in my first book, which I don't talk about much anymore. It was about ghosts. I wrote it when I was in my twenties, and you can tell I was a keen young pup when you read it. Having been a lifelong atheist, this book begins with me hanging out with this guy called Lou Gentile. In the day he's a heating engineer, and at nights he's a demonologist. I thought this was hilarious and it was going to be a straightforward piss-take. But actually, it scared the shit out of me. Really. Everything he said was going to happen, happened. When I finally came back to my hotel I literally couldn't sleep. That lead to this year-long investigation, trying to find out whether ghosts exist. Then, that book lead naturally to The Heretics, which was a deepening of the general investigation about human irrationality.

"By day he was a heating engineer, and by night he was a demonologist"

Since writing The Heretics, I understand much more about how the mind and brain work. So I'm much more sceptical about my ghostly journey now than I was when I wrote that first book. But I am still of the view that there are events that have happened, which science hasn't yet properly explained. I think there will be an explanation for them, of course, but I still like to think that there is a bit of mystery out there about human existence. That was a big change for me. I wasn't expecting to write that book at all.

You said you are more sceptical now. One thing that strikes me about Jon Ronson's work in particular, is the open-mindedness that he appears to approach his subjects with. He comes from, or at least he writes it as though he's coming from, a place of naivety. Do you think that's a useful tool?

Definitely. I hope I'm not misremembering him, but I'm sure he has written somewhere that he deliberately doesn't do a lot of research before he goes into a situation, because he wants to capture those moments of surprise.

That's interesting, because I remember AA Gill said exactly the same about his travel writing, which I love.

That's right, at the beginning of his collection AA Gill is Away. I do the same thing too. Because it's narrative nonfiction, you want to go there and say to the person you're meeting: 'What's going on?' and, 'Who's he?' and have that conversation there on the page, in the presence of the reader. You're delivering the essential information that the reader needs, but in story form, rather than in that distant journalistic form of the newsman or the newswoman. For me, that's much more immersive.

For example, when I went to South Sudan: it was a war zone. I remember saying to World Vision, the people who were looking after me: 'What's going on? Who's in charge?' They looked at me as if I was an idiot, 'What kind of journalist is this? How does he not know this?' They didn't get it, obviously. But those questions wound up being the opening scene of the piece: me landing at the airport saying, 'What's going on?' So maybe that's my advice. Keep the sense of unknowing.

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at editor@fivebooks.com

Support Five Books

Five Books interviews are expensive to produce. If you've enjoyed this interview, please support us by donating a small amount, or by buying some of our most recommended books from Amazon. Since we are enrolled in their affiliate program, we receive a small percentage of any product you buy, at no extra cost to you.



_- Steve

Wednesday, June 27, 2018

Alpha-1 antitrypsin deficiency - Genetics Home Reference - NIH

Alpha-1 antitrypsin deficiency - Genetics Home Reference - NIH

Alpha-1 antitrypsin deficiency

Alpha-1 antitrypsin deficiency is an inherited disorder that may cause lung disease and liver disease. The signs and symptoms of the condition and the age at which they appear vary among individuals.

People with alpha-1 antitrypsin deficiency usually develop the first signs and symptoms of lung disease between ages 20 and 50. The earliest symptoms are shortness of breath following mild activity, reduced ability to exercise, and wheezing. Other signs and symptoms can include unintentional weight loss, recurring respiratory infections, fatigue, and rapid heartbeat upon standing. Affected individuals often develop emphysema, which is a lung disease caused by damage to the small air sacs in the lungs (alveoli). Characteristic features of emphysema include difficulty breathing, a hacking cough, and a barrel-shaped chest. Smoking or exposure to tobacco smoke accelerates the appearance of emphysema symptoms and damage to the lungs.

About 10 percent of infants with alpha-1 antitrypsin deficiency develop liver disease, which often causes yellowing of the skin and whites of the eyes (jaundice). Approximately 15 percent of adults with alpha-1 antitrypsin deficiency develop liver damage (cirrhosis) due to the formation of scar tissue in the liver. Signs of cirrhosis include a swollen abdomen, swollen feet or legs, and jaundice. Individuals with alpha-1 antitrypsin deficiency are also at risk of developing a type of liver cancer called hepatocellular carcinoma.

In rare cases, people with alpha-1 antitrypsin deficiency develop a skin condition called panniculitis, which is characterized by hardened skin with painful lumps or patches. Panniculitis varies in severity and can occur at any age.



— Steve Smith

Tuesday, June 26, 2018

The 39 best health and science books to read this summer

The 39 best health and science books to read this summer

The 39 best health and science books to read this summer

Alex Hogan/STAT

S

ummer is officially here, and so is STAT's annual book list, chock full of great health, medicine, and science reads to dive into on vacation or during a relaxing time at home.

From the downfall of a buzzy biotech startup to the quest to revive the extinct woolly mammoth to explorations of the historic 1918 flu pandemic, there's sure to be a page-turner below to capture your attention. Enjoy!

SEE SUGGESTIONS FROM:    NOTABLE FIGURES   |  OUR READERS   |  OUR STAFF

NOTABLE FIGURES

"Bad Blood: Secrets and Lies in a Silicon Valley Startup"
By John Carreyrou
In an era of hope and hype for disruption in health care, this forensic and compelling inside story of the rise and fall of biotech startup Theranos documents a stunning lack of integrity and ethical oversight by the organization's senior leadership. Its employees and especially the patients who counted on them deserved better.
— Dr. Sue Desmond-Hellmann, chief executive officer of the Bill & Melinda Gates Foundation 

"The Great Influenza: The Story of the Deadliest Pandemic in History"
By John M. Barry
This fascinating book explores the impact of the historic flu pandemic of 1918, which killed at least 50 million people worldwide. It should be required reading for all people in the medical and public health fields. Really, everyone in public service should read it! We have come a long way since the great flu pandemic of 1918, but we must always stay vigilant and continue to improve pandemic flu preparedness.
— Dr. Robert R. Redfield, Centers for Disease Control and Prevention director

 "The Servant: A Simple Story About the True Essence of Leadership"
By James C. Hunter
This is the story of an outwardly successful businessman whose personal and professional lives are spiraling out of control. He finds his way back to what's really important in life after reluctantly spending a week at a Benedictine monastery. He learns that loyal followers committed to a goal aren't gained through fear and intimidation, but through relationships built on mutual respect and service, and leaders who prioritize the real needs of those who they wish to lead. I love this book because it helped me wrap my head around something I've always noticed, but couldn't put into words — my success as a leader has always been directly tied to my commitment to helping others, versus demanding that they help me.
— Dr. Jerome Adams, U.S. surgeon general

"Women in Science: 50 Fearless Pioneers Who Changed the World"
By Rachel Ignotofsky
It has terrific vignettes of the lives of both famous and not-so-famous women scientists and the extraordinary hurdles they faced. It's also beautifully illustrated with striking yet whimsical depictions of the scientists at work.
— Dr. Peter Hotez, dean of the National School of Tropical Medicine at Baylor College of Medicine

"Crashing Through: A True Story of Risk, Adventure, and the Man Who Dared to See"
By Robert Kurson
A true story about a man, blinded at age 2, who grows up to become an accomplished entrepreneur, skier, and family man. He very accidentally learns of a new "miraculous" stem cell therapy that could potentially restore his sight. The book is about the process of decision-making he takes to decide whether to take the chance on sight, given that he has defined himself as a blind man of great accomplishment, and the impact on his life, body, and family when he makes his decision. It's incredible and riveting.
— Lisa Suennen, senior managing director of GE Ventures and managing partner of Venture Valkyrie

"Sapiens: A Brief History of Humankind"
By Yuval Noah Harari
The mark of a great book is one that forever changes the way you look at the world. After reading the slightly desultory "Homo Deus," I gave Harari's previous book, "Sapiens," a try. I thoroughly enjoyed revisiting major milestones in human evolution, technological advances, the formation of religions, and laws that allowed civilizations to thrive, but this time through the lens of biology.
— David Sinclair, professor in the department of genetics and co-director of the Paul F. Glenn Center for the Biology of Aging at Harvard Medical School

"The Fears of the Rich, The Needs of the Poor: My Years at the CDC"
By William H. Foege
Bill Foege, a great storyteller, shares some of the most important stories for those in public health and all who care about the public's health. The book is invaluable and can mentor those who have not had the privilege and good fortune of working with Dr. Foege.
— Dr. Tom Frieden, president and CEO of Resolve to Save Lives, an initiative of Vital Strategies, and former CDC director

"Dreamland: The True Tale of America's Opiate Epidemic"
By Sam Quinones
This book presents the true tale of America's opioid epidemic from the eyes of the small towns of Portsmouth, Ohio, and Narayit, Mexico. A riveting read, this book illuminates through detailed storytelling how opioids rapidly became the crisis next door.
— Adm. Brett P. Giroir, U.S. assistant secretary for health

"Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think"
By Hans Rosling
Is the average life expectancy of a human being today 50, 60, or 70 years? How many of the world's 1-year-olds have been vaccinated against some disease? In the past two decades, has the proportion of the world's population living in extreme poverty doubled, halved, or remained the same? If you're like most people — indeed, if you're like most experts — you'll do worse at these questions than a chimpanzee picking the answers at random, because you'll be too pessimistic (the answers are 70, 80 percent, and halved). In "Factfulness," the late doctor and TED star Hans Rosling (with his son Ola and daughter-in-law Anna) explain "ten reasons we're wrong about the world—and why things are better than you think."
— Steven Pinker, Johnstone Professor of Psychology at Harvard University and the author of "Enlightenment Now"

"The Invention of Nature: Alexander von Humboldt's New World"
By Andrea Wulf
The ocean current off the coast of Peru — the Humboldt Current — was the only thing I really knew Alexander von Humboldt for until Andrea Wulf's "The Invention of Nature" was published. Expertly and passionately, Wulf introduces this incredible man of science — a resourceful, selflessly dedicated experimentalist and thinker. A multidisciplinarian, his interests included geology, botany, zoology, and ecology. As Wulf herself suggests, Humboldt was perhaps the first true environmental scientist, "the lost hero of science." Unlike many of his age, he came to his conclusions about nature based on evidence he collected firsthand on his extensive travels. To do justice to his incredible story and to bring it better to life, Wulf literally followed in his footsteps as part of her research for the book. Reading "The invention of Nature" is a memorable and fascinating adventure in itself.
— Magdalena Skipper, editor-in-chief of Nature

"The Undoing Project: A Friendship That Changed Our Minds"
By Michael Lewis
Everything we do in the biotech industry is about complex, data-driven decision-making. This book helps explain many of the challenges behind human decision-making, and encourages the reader to pressure test how our natural biases and preconceived models often get in the way of making rational predictions and decisions.
— Dr. Jeffrey Leiden, CEO of Vertex Pharmaceuticals

"Fighting for Space: How a Group of Drug Users Transformed One City's Struggle with Addiction"
By Travis Lupick
Vancouver reporter Travis Lupick has been covering drug overdose for many years. In this book, he provides a detailed, analytical, and thoughtful account of persistent grassroots activism by the people of Vancouver to save lives of people dying from intravenous drug use. A humanizing approach to drug users and addiction using harm reduction and compassion.
— Dr. Lipi Roy, clinical assistant professor in the Department of Population Health at NYU Langone Health

"One Tiny Turtle"
By Nicola Davies, illustrated by Jane Chapman
"One Tiny Turtle" is a children's book about the life cycle of a loggerhead turtle that goes way deep on the details as the turtle dives deep into the ocean. This book teaches kids about ecosystems, the food chain, and how animals grow, develop, and evolve. That doesn't just apply to sea turtles. It applies to everything.
— Nate Butkus, 8-year-old host of "The Show About Science" podcast

"A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes"
By Adam Rutherford
In witty, trenchant prose, Rutherford lays out the complexity of the genome and the wonder of possibilities buried within it. But he has no time for the ludicrous assertions, simplified explanations, and purposefully misleading assumptions that govern much of the public discourse over genetics. Rather than running from the truth, Rutherford revels in the fact that the origins and interlocking realities of human society are messy. No matter what you think you know about genetics, anthropology, or the role of humans on this frail planet, Rutherford will make you think again. And despite current trends in American life, how can there be such a thing as too much thought?
— Michael Specter, New Yorker staff writer focusing on science, technology, and public health

"The Perfectionists: How Precision Engineers Created the Modern World"
By Simon Winchester
Ideal for all those engineering geeks out there. I can guarantee you will enjoy, to a tolerance of 0.0000001.
— Timothy Caulfield, professor of law at the University of Alberta and author of "Is Gwyneth Paltrow Wrong About Everything?"


OUR READERS

"The Immortal Life of Henrietta Lacks"
By Rebecca Skloot
The story of medical progress is often told as a story of triumph. But along the way, many people were hurt or exploited, especially women and black Americans. This is their story and a recognition of their pain and contributions. It's essential reading for any health care provider.
— Dr. Elisabeth Poorman, Cambridge, Mass.

"Bad Advice: Or Why Celebrities, Politicians, and Activists Aren't Your Best Source of Health Information"
By Paul Offit
This is an informative (and funny) look at why crazy health advice and conspiracy theories are so compelling and sound (but unsexy) science has so much trouble breaking through. In a world where many people look to social media for health information, the story of Dr. Offit's efforts to communicate science and sense to the public had me laughing out loud. I loved this book.
— Kirsten Thistle, Bethesda, Md.

"Cure: A Journey into the Science of Mind Over Body"
By Jo Marchant
If you're interested in the power of our minds, the placebo effect, or deep explorations of mind-body connections, don't miss this one. Marchant fills her pages with the most fascinating stories and studies — I found I was unable to keep them to myself as I was reading her book, and they quickly became dinnertime conversations in my house.
— Melissa Klaeb, Rancho Santa Margarita, Calif.

"Medical Bondage: Race, Gender, and the Origins of American Gynecology"
By Deirdre Cooper Owens
It's impossible to understand the problems that plague American medicine without understanding their history. This book describes how "slavery, medicine and medical publishing formed a synergistic partnership" in the emergence of gynecology as a medical specialty in the United States. It's an important, timely read that puts contemporary issues of racism, sexism, and health disparities in historical context.
— Kathleen Bachynski, New York

"Failure: Why Science Is So Successful"
By Stuart Firestein
"Failure" delves into the history and applications of failure in science and explains why failure is an integral part of the scientific process. Written by a scientist for both scientists and nonscientists, the book will likely make your head nod more than a few times as you relate to experiences both mentioned in the book and from your own personal experience.
— Alex Birch, Boston

"Poverty and the Myths of Health Care Reform"
By Richard (Buz) Cooper
This book, written in the last two years of Dr. Cooper's life and published just months after his death in 2016, argues that poverty, rather than waste and physician inefficiency, is the driver of runaway health care costs in the U.S. and the world. Now more than ever, we're in critical need of health care reform in the U.S. This book brings to light the most pressing changes needed to effectively change the U.S. health care system. It will ultimately save money and, most importantly, improve patient care.
— Alyssa Chard, New York

"Woolly: The True Story of the Quest to Revive History's Most Iconic Extinct Creature"
By Ben Mezrich
"Woolly" deals not only with the science of the fascinating (and all-too-often vilified) idea of de-extinction through genetic modification, but also discusses the potential effects success could have on the global warming trend, as well as related technologies in the fields of medicine.
— Bethany Geleskie, Dover, Del.

"Lives of a Cell: Notes of a Biology Watcher"
By Lewis Thomas
A surprisingly impactful short series of essays relating the world of biology to the broader ecosystem of humanity. Easy to understand for the layman, with enough technical comparisons for the hardcore science enthusiast to nod along to.
— Edward Marks, New York

"Proof: The Science of Booze"
By Adam Rogers
From botany to biology to chemistry and on, each chapter explains the many sciences in making alcohol. The art we make with the science of yeast, malting, distillation, aging, etc., is entertaining reading. Of course, the last chapter covers hangovers.
— Griff Neighbors, Madison, Conn.

"You Disappear"
By Christian Jungersen
This neurothriller explores how a brain tumor impacts one man's sense of identity and hurts all the people around him. Reading the story is like watching an accident in slow motion: scary, but you can't help looking. Also, the book asks big questions on how new brain science might change us all.
— Mette Thorsen, Copenhagen, Denmark

"If Our Bodies Could Talk: Operating and Maintaining a Human Body"
By James Hamblin
It tackles common health issues, themes, misconceptions, and conspiracies in easy-to-understand, accessible, quippy language.
— MJ Gupta, Los Angeles

"Mistreated: Why We Think We're Getting Good Health Care—and Why We're Usually Wrong"
By Robert Pearl
"Mistreated" will take you through Dr. Pearl's own experience in the hospital hallways and intensive care unit, in addition to his takes on the Affordable Care Act and how the American health care system needs to evolve. As a new nurse, I found this book so important to understand the environment I am getting ready to work in from a health policy, financial, technological, and medical perspective.
— Sophia Busacca, Philadelphia

"The Winter Station"
By Jody Shields
A fiction based on a real plague breakout that occurred in Eastern Russia at the turn of the 20th century. The politics, the personalities, and the growth of the crises are actually taken from the diaries of a Russian aristocratic doctor practicing in Harbin at the time. The slow growth of the horror and helplessness of those who can really see the crises growing is beautifully drawn. And I found a great vodka referenced — delicious on ice.
— Susan P. Bachelder, South Egremont, Mass.

"Survival of the Sickest: The Surprising Connections Between Disease and Longevity"
By Sharon Moalem
As a biology teacher, I have been fascinated with the fact that harmful genes (like sickle cell and cystic fibrosis) stay in populations. Why would evolution allow bad genes to persist? This book takes this idea to a whole new level! It is easy to read, informative and entertaining.
— Ruth Sweeney, Reading, Mass.


OUR STAFF

"Fantasyland: How America Went Haywire: A 500-Year History"
By Kurt Andersen
Andersen's probing history of what he calls America's "fantasy-industrial complex" is not only fascinating, scholarly, and brilliant. It's also laugh-out-loud funny, and would be even more so if Americans' habit of believing untruths weren't so depressing. That has had horrific social and political ramifications, from the Salem witch trials to the Satanic cult panic of the 1980s. But as you read about this form of American exceptionalism — no other advanced country believes in ghosts, angels, and Satan's physical presence on earth like we do — you'll understand why we lead the world in anti-vaxxers, homeopathy believers, and alt-med embracers.
— Sharon Begley, senior writer, science and discovery

"Pain Killer: An Empire of Deceit and the Origin of America's Opioid Epidemic"
By Barry Meier
If not for the dastardly backstory, this could have been a tale of marketing genius. For decades, the Sacklers of Purdue Pharma convinced medical professionals and trusting citizens that narcotic painkillers were safe. But the marketing savvy had a shameful and horrifying result: contributing to the scourge of opioids that is only worsening today. The book quotes Raymond Sackler declaring, decades ago, that Purdue would turn OxyContin into a pharma powerhouse: "OxyContin is our ticket to the moon." How prescient. How disturbing. Meier also traces the culpability of others, including pain management activists. This book was first published in 2003. But it didn't get the notice it deserved and went quickly out of print. This updated edition puts the opioid epidemic in important context, and includes new details that will only add to the outrage, including the Justice Department's role — or lack thereof.
— Rick Berke, executive editor

"Big Chicken: The Incredible Story of How Antibiotics Created Modern Agriculture and Changed the Way the World Eats"
By Maryn McKenna
We think we know about how antibiotic resistance came about. But with stories of pharmaceutical byproducts being poured into animal feed and whole chickens doused in antibiotic baths to keep them "fresh," McKenna provides a vivid and surprising explanation of how we've created the crisis we're in today.
— Eric Boodman, general assignment reporter

"The Juggler's Children: A Journey into Family, Legend and the Genes that Bind Us"
By Carolyn Abraham
Were you riveted by the capture of the alleged Golden State Killer, apprehended when police were able to use discarded DNA and a genealogy website to identify Joseph DeAngelo? Then this book is for you. Abraham, a Toronto-based author (and a personal friend, but that's not why I'm recommending the book) grew up knowing the branches of her family tree stretched far and wide — India, England, Portugal, and maybe even China. But the origins of a key player in the family story — a great-grandfather who was a circus juggler — were a mystery. So Abraham, a first-rate science writer, set out to put the genetic advances she was chronicling to work in a bid to solve a family riddle. To tell you much more would risk disclosing spoilers, but I will say Abraham's journey led her to unexpected places. Well worth a read, especially for would-be genealogy sleuths tempted to follow in her footsteps.
— Helen Branswell, senior writer, infectious disease

"Black Edge: Inside Information, Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street"
By Sheelah Kolhatkar
This is a book about Steven A. Cohen, the theatrically unjailable billionaire whose $15 billion hedge fund pleaded guilty to sweeping securities fraud. But its most compelling thread is a biotech story about two men and a failed Alzheimer's drug. Mathew Martoma, a trader at Cohen's hedge fund, wanted to know as much as he could about bapineuzumab, an Alzheimer's treatment then in Phase 2 development by Elan and Wyeth. So he sought out Sid Gilman of the University of Michigan, a neuroscientist involved in the drug's development — and a man in possession of that "material nonpublic information" that has a way of sending people to jail. Their relationship begins in friendship before turning disquietingly familial and ending with one man testifying against the other. Oh, and there's a formaldehyde-leaking artwork by Damien Hirst, a doomed romance that begins at Elaine's, and Steve Wynn jabbing a hole into a $139 million Picasso. Recommended.
— Damian Garde, national biotech reporter

"You Can Stop Humming Now: A Doctor's Stories of Life, Death, and In Between"
By Daniela Lamas
Dr. Daniela Lamas is a critical care physician, but she approaches storytelling as the journalist she was in a previous life. Her medical credentials give her access to places journalists usually can't go — such as the respiratory acute care unit, a kind of purgatory where patients exist tethered to ventilators for weeks or months on end. But once inside, she observes with the keen senses and curiosity of a reporter and asks the crucial question that all too often doctors and families fail to before performing a "trach-n-peg" or implanting a VAD: "What comes after for those who do not die, whose lives are extended … as a result of cutting-edge treatments and invasive technologies."
— Gideon Gil, managing editor

"A Constellation of Vital Phenomena"
By Anthony Marra
This 2013 novel, set in Chechnya, is not explicitly about health or medicine. But the story begins when two characters rescue a girl whose mother is dead and whose father was taken in the night by Russian forces. Both characters are doctors: Akhmed is a bad village physician who never wanted to become one, while Sonja is a no-nonsense surgeon who has returned home after working in the West. She is the last remaining physician at a hospital in a nearby city, and the two start treating patients together while trying to protect the girl from the crumbling world around her. There are plenty of other plots and characters, but the novel details how medicine is practiced in a hospital with few staff and fewer supplies. It's a bleak book, but also beautiful.
— Andrew Joseph, general assignment reporter

"Pale Rider: The Spanish Flu of 1918 and How It Changed the World"
By Laura Spinney
Every time I look at those charts plotting world population over time, I'm always stunned by the precipitous and unprecedented dip exactly a century ago. The global flu pandemic that broke out in 1918 took an inconceivably deadly toll — the latest estimates range between 50 and 100 million people killed — but it tends to get glossed over in mainstream histories of that period. Which is why this new book, published last year by the British science journalist Laura Spinney, is such a welcome addition. Spinney tells a truly global story, looking beyond America's metropolises to show how remote communities everywhere from Alaska to South Africa tried to cope with a killer they did not understand.
— Rebecca Robbins, reporter

"ABCs of Biology"
By Chris Ferrie and Cara Florance
Somewhere, etched into a tablet in a cave, is this saying: Nerds beget nerds. And for this nerd, the "ABCs of Biology" is the latest in a great series of science board books geared toward young children, in this case using the alphabet as a way to introduce kids to everything from bacteria to stem cells. I love them, my kid loves them, and they fit perfectly in a daypack for reading while traveling.
— Megha Satyanarayana, engagement editor

"Goodbye, Vitamin"
By Rachel Khong
I picked up this novel after seeing it on a bunch of "Best of 2017" book lists and absolutely loved it. It's a sweet, funny, and poignant story about family dynamics and dementia. It's written as a series of diary entries from the narrator, Ruth, who catalogues her dad's ups and downs — and her own — after moving back in with her parents.
— Megan Thielking, reporter and Morning Rounds writer

Correction: An earlier version of this list misspelled the name of Hans Rosling.


STAT may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers.

About the Author



— Steve Smith