Hitch-22 has at its heart almost something of a mystery plot, and it goes like this: How can Hitchens absolutely believe in the wrongness of absolute beliefs—chiefly theism and totalitarianism? How does he square that circle? Like any good mystery, a clue is under the reader's nose all along (the title), and the answer is not revealed until the final page. There, Hitchens explains:
It's quite a task to combat the absolutists and the relativists at the same time: to maintain that there is no totalitarian solution while also insisting that, yes, we on our side also have unalterable convictions and are willing to fight for them. After various past allegiances, I have come to believe that Karl Marx was rightest of all when he recommended continual doubt and self-criticism. … To be an unbeliever is not to be merely "open-minded." It is, rather, a decisive admission of uncertainty that is dialectically connected to the repudiation of the totalitarian principle, in the mind as well as in politics. But that's my Hitch-22.
The dialectic—the ability of opposites to feed off of each other and eventually produce a synthesis that assimilates the best aspects of both into an overpowering Truth—is the answer to the riddle of Hitchens' career, particularly of what many saw as his rightward turn later in life. If he did not quite add up, perhaps that is because Marx is not "right" but rather "rightest," and Hitchens achieved not "synthesis" but rather "Hitch-22," his personal variation on Joseph Heller's famed construct wherein two mutually exclusive premises are bound to co-exist. Belief in unbelief, certainty in uncertainty: These are the Scylla and Charybdis through which Hitchens skillfully steered his ship.
---SPSmith
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